Rome's MIA Market Launches European Investment Hub for 12th Edition
MIA's 12th edition (Oct. 19-23) debuts a European Investment Hub backed by the European Commission, EIF, CineRegio and Eurimages, with CAA and MCT financiers attending.

Programme
- MIA Market's 12th edition runs Oct. 19-23 in Rome and launches a European Investment Hub over its first two days.
- The hub is conceived with the European Commission, the European Investment Fund, CineRegio and Eurimages, plus private equity players.
- Reps from 35 European co-production funds will attend; panels cover budgets from typical European levels to €50 million and up.
Rome's MIA Market will launch a European Investment Hub at its 12th edition, running Oct. 19-23, with CAA media finance co-head Roeg Sutherland and Media Capital Technologies principals Raj Singh and Christopher Woodrow expected to attend the new strand.
The initiative, conceived with the European Commission, the European Investment Fund (EIF), the CineRegio network of regional film funds and pan-European fund Eurimages, along with leading private equity players, will occupy the market's first two days. Panels, roundtables and one-to-one advisory meetings will connect producers with funding sources at a moment when private equity money available to European content is on the rise.
The hub will examine financial tools including European co-production funds, equity funds dedicated to content creation, and completion bonds and risk-mitigation mechanisms developed with European and national institutions.
"The idea is to foster direct contact between producers and representatives from these various entities who can provide guidance," MIA chief Gaia Tridente told Variety.
Alessandro Usai, head of Italy's motion picture association ANICA, framed the initiative in a statement: "I am truly pleased that this new edition of MIA is opening with such an in-depth focus spanning two days on the subject of investments and financial tools tailored to companies in our sector."
"In recent years, it has become clear to everyone that access to finance is the true game-changer for the industry, and that we must work together to remove remaining barriers and obstacles, better understand best practices and implement new ones," Usai said. "In particular, delving into public-private partnerships, guarantee systems and the interplay between national, European and international tools is crucial for the growth of the entire sector — and not just in Italy."
Chiara Sbarigia, head of Italian TV producers' association APA, pointed to the gap the hub fills: "There was a need for a new space dedicated to audiovisual financing to address the challenges faced by producers, particularly small and medium-sized ones."
APA will also use the market to present its own proposal. "A few months ago, APA presented a proposal to the relevant institutions for a public-private fund, which we will showcase to industry professionals during the market," Sbarigia said. "MIA will provide domestic and international players with a clear overview of available tools through a practical approach: while competing in international markets certainly requires ideas, talent, and production capacity, understanding where to invest in development — and how and where to secure resources — remains crucial."
The panel lineup spans both studio-scale and indie financing. "Unlocking Italy's Potential" will feature Singh, Sutherland and U.S. entertainment lawyer Steve Saltzman, head of the International Entertainment Group at London-based Fieldfisher, on opportunities within the Italian industry ecosystem. Singh will also use a separate session to launch a new venture aimed at expanding content creation financing opportunities.
The panel "Equity and Growth Capital: Investing in Creativity, IP and Long-Term Value" will include Woodrow, MCT's founder and chairman; Celine Dornier, content executive at Finland-U.K. film investment fund IPR.VC; and Alexandra Lebret, a partner in Together Fund, recently launched with Paris-based investment firm Axio Capital.
Tridente stressed the range of budgets the hub will address. "Clearly, there will be funds supporting very high-budget films or series — projects on a massive scale — alongside others that operate within the indie circuit, dedicated to auteur cinema, or more modestly scaled serial productions," she said.
"We are talking about funds accessible to projects with budgets of €50 million and up, as well as others with lower budgets that are more typical for European cinema and television," she added.
Reps from 35 European co-production funds will travel to Rome to explain their national mechanisms. Spain alone will be represented by three different funds, "ensuring that those at the table can understand exactly how to access specific tax credits or funding within the Spanish or French systems," Tridente said.
With private equity flowing into European content and U.S. financiers crossing the Atlantic to meet producers, the Rome market is positioning itself as the place where European producers learn not just what money exists, but how to reach it.
Source: Variety Film
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